reach for the stars

dear me this journal is rutting to a once a week kind of thing. so much for work. but i'll try.

ISO 3200, 1/320, f/3.5, 85mm. sometimes i wonder how the ISO goes so high and nothing happens.

light kites

HA i got that light kite.
13s, f/8, 18-35 f3.5
Provia 100F

construction

Superia 200
28mm, f/2.8, 1/250

i'm stil waiting for my slides.

lines again

the bad thing about film is once you get it, youget addicted to it. very addicted.
50mm, f/2.8 1/60
Superia 200

colours

a sea of flowers.

85mm, f/11, 1/125, ISO 200

lifts

never complain about the way film handles light.

the spirit of safdie

interesting how these things fire up. those behind the scenes ought to be rewarded.

Fuji Superia Xtra 400, N80
50mm, f/8, 1/3000

jumps

odd how the scale can look good like that.
Fuji Superia 200
50mm, f/1.8, 1/125

lights

it's odd how highlights can be handled like that.
N80, 50mm
Fuji Superia Xtra 400
f/2, 1/200

reels

i finally got it developed. teehee.

it's about the absolute of of the place that these containers are placed in.

everyday mundanity

fogging cts, anyone?
50mm, f/2.8, 1/250, ISO 200

multiple flips

experimenting, as usual.

28mm 2.8, 1/60

construction

it's an oddity how these things can be found so near our houses. we just need to look to see the world in pictures.

ISO200, 28mm, f/5.0, 1/125

a day at the market

amazing how everyday things can become such good subjects.

50mm, f/2.8, ISO 100, 1/125

helices

pushed 1 stop.
28mm 2.8D
f/8.0 ISO 400, 1/30

hiatus

roll not done yet. so.

spotlights

just have this weakness for them.

flying birds

poor amos.

concentrations

took this quite some time back. i thought it captured the moment very well.

eye highlights

shadows

webs

oddity: kit lens! and of course the spider's hungry

television, anyone?

from orientation. i think represents storyline very well.

more history

i have this thing about historical artifacts.

f/4, 120mm, ISO100, 1/250

this is about national pride

the forefather and what we are today.
f/1.8, ISO 100, 1/640

escape

straitjackets, anyone?
D5000, ISO 200 f/2

chains

i remember i was busy with all the vday stuff. can't really remember what happened. and it was fast. but has anyone thought how chaining it would be?

hallowed halls

lights

deciding at the end, metadata isn't important. or i can't be bothered to put it.

23s f/8 ISO 100

dualities

small places

beauty in all the weird places

many a day we look at things we see. but in places we still find beauty.

reflections

cannot comprehend how 50mm can still make lines. guess it's to do with the composition.

desolation

caution: watch it

see the juxtaposition?

in the breeze

steel still

smoke

first forays into smoke photography. courtesy of highlights comm.

upward

as we soar walls

skylights again

i have this thing about lights in the dark.

85 mm f/3.5

f/4, ISO 3200, 1/160

orientation

you know those days? i never regretted this op. it warms my heart to be a part of the team that shapes people's lives.

droplets

D7000, 85mm micro f/3.5G VR
ISO 400, f/11, 1/160

reflections, anyone?

abandoned houses

parliament house, anyone?
ISO 100, f/8 , 1/320
D7000, 50mm f/1.8G

skies

sculpted light?

all fired up

can we see those lights

D7000, 18-105 f/3.5-5.6G VR

ISO 100, f/8, 13"

if we departed forever.

D7000, 50mm f/1.8G

ISO 100, f/1.8, 1/100

flying flights

D7000, 50mm f/1.8G

f/1.8, ISO 400, 1/60

skeletals

d7000, 18-105 f/3.5-5.6G VR

ISO 100, f/4, 1/250

mundane

probably describes the situation now.

d7000, 50mm f/1.8G

ISO 100, 1/60, f/1.8

this is bad. i can id lenses just by looking. forexample that is likely to be a 16-85 f3.5-5.6